An awe-inspiring account of the afterlife and what happens when it spills over into the world of the living. The new novel from the most exciting new voice in the genre since Neal Stephenson.Loss is a thing of the past. Murder is obsolete. Death is just the beginning. In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for the recently deceased.
Yet Britain isn't the only contender for power in this life and the next. The Soviets have spies in Summerland, and the technology to build their own god.
When SIS agent Rachel White gets a lead on one of the Soviet moles, blowing the whistle puts her hard-earned career at risk. The spy has friends in high places, and she will have to go rogue to bring him in.
But how do you catch a man who's already dead?
Read MoreCalls to mind John Le Carre . . . clever, subtle and . . . has a rich emotional centre - SFXHe's switched subgenres while retaining his trademark conceptual high jinks and impressive world-building... an impressive plot reminiscent of John le Carre. - GuardianA jaw-dropping, knowing, hyperintelligent yarn - LOCUSAn excellent slice of genre-bending fiction that thrills and intrigues in equal measure. - SciFiNowI burned through it in two days. Great book: Tinker Tailor Soldier Spook.Summerland: As if Alfred Hitchcock had made a movie with HP Lovecraft . . . A vision so original it deserves its own subgenre. And all worked out with the diamond-hard logic of a great SF writer. After Summerland, the thriller has a new geometry