The Smiths: A Novella

Michael Bracewell

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I am sure that what I remember is not necessarily what actually happened, but I can only write what I remember.

Wildly inventive and magnificently surreal, The Smiths: A Novella recounts the impact of an unconventional pop group from Manchester on one man's life. Taking the form of a flaneuring journey through the landscape of memory, our anonymous protagonist is accompanied by the iconic French actress Carole Bouquet, who becomes his guide and interlocutor, asking about his life during the years The Smiths were together and the profound effect of their music upon him.

As the unlikely couple perambulate from the old Selfridge Hotel to West Hollywood by way of a park bench in Cavendish Square, their conversation interrogates and celebrates the joys of outlandish pop genius, the zealous dedication of fans and the cult of outsider disaffection given uproarious voice. As such, this is not a book about The Smiths but one that emerges from their music, their emotional register and their literary resonance.

Michael Bracewell's novella cum-fairy tale is at once deeply romantic and laced with comedy - not unlike the band themselves - and perhaps (in fictional form) the most astute and celebratory portrait of The Smiths to date.

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Michael Bracewell

Michael Bracewell

Michael Bracewell is the author of six novels and two works of non-fiction including SAINT RACHEL, PERFECT TENSE, REMAKE/REMODEL and ENGLAND IS MINE.

His writing has been published in THE FABER BOOK OF POP and a selection of his writings on art and culture, THE SPACE BETWEEN was published in 2012.

He has written widely on modern and contemporary art, most notably about the work of Bridget Riley and Richard Hamilton on the occasion of recent exhibitions of their work at The National Gallery, London. Also on the art of Damien Hirst and Gilbert & George for the Tate Gallery, London.

His most recent publications include the Introduction to a new edition of Oscar Wilde's classic essay, 'The Critic As Artist'.

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