Speedboat: With an introduction by Hilton Als

Renata Adler

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When Speedboat burst on the scene in the late '70s it was like nothing readers had encountered before.

It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind.

Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it.

A touchstone over the years for writers as different as David Foster Wallace and Elizabeth Hardwick, Speedboat returns to enthral a new generation of readers.

With an introduction by Hilton Als

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Praise for Speedboat: With an introduction by Hilton Als

  • One of the more penetrating and oddly hypnotizing books I know; reading it is like being in a snowstorm. ...If all you get from SPEEDBOAT is a shudder of pleasure and self-recognition, you are probably not reading deeply enough. Welcome Back, Renata AdlerI was in love and then I wasn't, and sometime during the drifting gray interim I was told by a bookseller friend to read SPEEDBOAT, a novel that had long been out of print but was absolutely, he insisted, worth the trouble of the search. ... My friend was correct, as booksellers usually are; it was as though the novel had outstretched arms and I fell inAdler is page by page, line by line, and without interruption, brilliantSPEEDBOAT is dazzling ...line for line and sentence for sentence, it seems to me thrilling. ... observant, funny, urbanThe kind of book you buy multiple copies of to push on friends, the kind you dog-ear and mark up until it could line a hamster cage. It will literally knock your socks off. Read itI can't think of a living stylist I admire more than Renata AdlerA brilliant series of glimpses into the special oddities and new terrors of contemporary life-abrupt, painful, and altogether splendid

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Renata Adler

Renata Adler

RENATA ADLER was born in Milan and raised in Connecticut. She received a B.A. from Bryn Mawr, an M.A. from Harvard, a D.d E.S from the Sorbonne, a J.D. from Yale Law School, and an LL.D. (honorary) from Georgetown. Adler became a staff writer at the New Yorker in 1963 and, except for a year as the chief film critic of the New York Times, remained at the New Yorker for the next four decades. Her books include A YEAR IN THE DARK (1969); TOWARD A RADICAL MIDDLE (1970); RECKLESS DISREGARD: WESTMORELAND V. CBS ET AL., SHARON V. TIME (1986); CANARIES IN THE MINESHAFT (2001); GONE: THE LAST DAYS OF THE NEW YORKER (1999); IRREPARABLE HARM: THE U.S. SUPREME COURT AND THE DECISION THAT MADE GEORGE W. BUSH PRESIDENT (2004); and the novels SPEEDBOAT (1976; winner of the Ernest Hemingway Award for Best First Novel) and PITCH DARK (1983).

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