Winner of the Akutagawa Prize and the Kenzaburo Oe Prize
A New York Times Book Review Editors' Choice
'In Yukiko Motoya's delightful new story collection, the familiar becomes unfamiliar . . . Certainly the style will remind readers of the Japanese authors Banana Yoshimoto and Sayaka Murata, but the stories themselves and the logic, or lack thereof, within their sentences are reminiscent, at least to this reader, of Joy Williams and Rivka Galchen and George Saunders' Weike Wang, New York Times Book Review
A housewife takes up bodybuilding and sees radical changes to her physique - which her workaholic husband fails to notice. A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon - until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room - and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face - to match her own.
In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien - and, through it, find a way to liberation. Winner of the Kenzaburo Oe Prize, PICNIC IN THE STORM is the English-language debut of one of Japan's most fearless young writers.
Read MoreCharming, bizarre, and uncanny, PICNIC IN THE STORM is Etgar Keret by way of Yoko Ogawa. I'd follow Yukiko Motoya anywhere she wanted to take me. - Carmen Maria Machado, author of Her Body and Other PartiesIn 11 short stories, Yukiko Motoya pulls back the curtain from everyday lives, to reveal that beneath the most mundane lies a world bizarre and alien - Bustle, 1 of 11 Most Anticipated BooksThese arresting, hyper-real stories linger in the imagination . . . By the first few sentences, you know you're hearing the voice of a remarkable writer; by the end of [the story] "An Exotic Marriage", you're certain that Yukiko Motoya's shivery, murmuring voice will never completely leave you. - Financial TimesDelightful . . . At face value, the stories are fun and funny to read, but weightier questions lurk below the surface. . . . The writing itself is to be admired . . . Certainly the style will remind readers of the Japanese authors Banana Yoshimoto and Sayaka Murata, but the stories themselves - and the logic, or lack thereof, within their sentences - are reminiscent, at least to this reader, of Joy Williams and Rivka Galchen and George Saunders. - Weike Wang, The New York Times Book Review